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On-camera addresses and straightforward attitudes offer a sense of no-nonsense pedagogy that appears useful for everyday Prostitutes Kaarina.

For example, Arman educates audiences in a straight forward way by visualizing his own experiences with the Baka. He shows concretely, step-by-step, by searching for food, fishing, and visiting a local school, that life in the jungle is hard Prostitutes Kaarina therefore donations are needed to get school books for children who can acquire a better life through education Orgad and Nikunen, The aim is to enhance a sense of community through spectacular events that force people to encounter Prostitutes Kaarina appreciate each other.

This tone departs drastically from what is usually associated with humanitarian messages and care work. The gendered and class-bound dimensions of the shift are fundamental: the image of masculine humanitarian draws on toughness and practicality rather than softness and literal education.

These grass Prostitutes Kaarina approaches emphasize bodily dimensions of help and connect care to physical labour, which in turn attaches material value to humanitarian and care Prostitutes Kaarina.

To do this, the group organized various events including pranks, explosives and local games and a music event.

This becomes emblematic in scenes where Arman is shown carrying woodclimbing a treecatching fish with the Bakaand carrying sacks of rice to their village. This is also the case in Prostitutes Kaarina in scenes where the Dudesons wrestle, play sports, and create spectacles Prostitutes Kaarina explosives. Care and aid work appear as hard physical work and fun that is exemplified through the masculine body.

Illustratively, in one of the final scenes, Arman concludes that the connection Prostitutes Kaarina him and his god-daughter Assanga was not found through words, it was found by doing. Thus humanitarian Prostitutes Kaarina is material and concrete; it is doing rather than talking.

How clean is your house, What Prostitutes Kaarina to wear, Wife swap, see Skeggs, These men arrive in the scene as rescuing heroes who are able to solve a range of problems, but they do not necessarily appear to be morally Prostitutes Kaarina to the individuals who they are helping.

In the humanitarian context, this Prostitutes Kaarina of the masculine helper-hero proposes a transformation from educated femininity to ordinary masculinity and exemplifies a demotive turn in pedagogy Turner, The masculinization of expertise is crucial to the Prostitutes Kaarina in which help and care are performed as applicable, common sense solutions.

Both Arman and the Dudesons apply playfulness and humor in their streetwise acts.

At the same time, they emphasize dangerous travels AKK and destructive stunts DTT as an essential part of their care work.

By combining Prostitutes Kaarina and danger, they perform help with heroic manhood acts Schrock and Schwalbe, that draw on the imagery of adventurous men conquering new territories. This time the territory is that of care work, intimacy, and humanitarian help. Indeed, these Prostitutes Kaarina demonstrate not only the transformation in humanitarian communication but the ways in which this transformation involves a restoration of masculine authority by extending and claiming expertise in private life, care and aid work.

The self-made expertise described above is importantly accompanied, and Prostitutes Kaarina, with emotionality.

For example, in the final scene in the DTT episode concerning the Vietnamese refugee family, the locals, gathered in a dance hall, cheer Prostitutes Kaarina the daughter of the family sings in Finnish. I felt a bit puzzled Prostitutes Kaarina, is this really happening?

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Image still by Kaarina Nikunen, under fair use. The emotional Prostitutes Kaarina visualized through scenes where the men explain their inner feelings directly to the camera, in tears, and with a cracking voice.

These tearful moments Prostitutes Kaarina to prove that the mission is genuine and add an affective value to their star image. In a similar way, though less tearfully, Arman shows an emotional bond with the locals in scenes where his godchild finally takes his handor in scenes where he, upset about injustice and vulnerability of the Baka people, addresses the camera to the accompaniment of dramatic music Arman expresses anger and frustration towards the logging companies that are destroying the surrounding forestsas well as concern over the future of the Baka people who move from the jungle to the city It is something that his earlier series are remembered for.

Figure 2: Arman explains the struggles of Baka-people. The feel of solidarity is visualized in close-ups where men narrate the personal involvement and emotional effect of their work. They operate to reveal the true emotion that Prostitutes Kaarina others engenders: the emotional reward of doing good.

The combination of adventure and care proposes a tough masculinity that is accentuated by a sensitivity, which in turn constructs a particular form of acceptable Prostitutes Kaarina Deller, Such sentimentality Prostitutes Kaarina with the reality TV representations of national heroes, the police and the firemen that humbly labour for the safety and security of the community and the nation Carroll, ; Kirby, Thus, the emotions, resulting from labour of care, become aligned with social Prostitutes Kaarina and collective good.

This is citizenry built with the intimacy and appropriated through the trope of the sentimental soldier-hero Koivunen, As argued by Hamilton Carroll in her research on working-class masculinity, the combination of steel and tears, valor and sacrifice, are essential characteristics of sentimental masculinity that is proposed on reality TV in response to post-industrialist economy and the collapse Prostitutes Kaarina the division between public and private.

This sentimentality is essentially connected with post-humanitarianism. By circulating the feel of solidarity, these shows illustrate the post-humanitarian ethos of self-expression and privileging the Western self, through whose eyes and emotions we learn about the troubles and suffering of others Chouliakraki, The emotional responses of the hosts, Arman and the Dudesons, operate as affective facts Massumi, 54 and as moral education, showing viewers how to Prostitutes Kaarina and what to feel in those situations.

This is how post-humanitarianism collides with affective capitalism. Building Prostitutes Kaarina individuality and entrepreneurship with elements of self-made Prostitutes Kaarina and sentimentality, the programmes propose humanitarianism in a marketable package.

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Importantly, both Arman and the Dudesons are entrepreneurs with their own production companies through which this emotional labour of helping others is made and marketed.

Clearly, the masculine tears of doing good hold Prostitutes Kaarina value in the contemporary television Prostitutes Kaarina.

Similarly to how misery has become a marketable commodity in the genre of talk television Illouz,tears of Prostitutes Kaarina carry moral Prostitutes Kaarina monetary value for humanitarian reality television. Here, the moral value being generated from care and emotions benefits particularly, but not solely, the media image of the hosts, Arman and the Dudesons.

Humanitarian organizations gain value through the visibility and through the refashioning of humanitarian work: it appears to be fun, adventurous, uncomplicated, and down-to-earth Orgad and Nikunen, Yet, there is more value to be collected through online participation. As argued in the beginning of this article, reality TV, as a popular and immersive genre, offers an interesting avenue for humanitarian organizations to garner the attention of wide audiences and turn audience participation into humanitarian action.

Audience Prostitutes Kaarina forms an important dimension of the shows and it is essential in their multiplatform strategies Andrejevic, ; Jenkins, Instead of creating one programme, the message is distributed in multiple platforms, including TV advertising, Facebook, Twitter, and YouTube channels. AKKfor example, was aired as a must-see event that was promoted through multi-platform advertising through television, radio, and the internet.

The real-time viewing of the show was particularly relevant for Plan Finland, which ran direct donation bids during each commercial break of the show. Finnish television Prostitutes Kaarina Nelonen and Plan Finland applied convergent media strategies to create an event that would carry on beyond the programme. Social media provided another platform for potential donations.

According to Plan Prostitutes Kaarina, this strategy was highly successful and increased their visibility and donations Laiho, For humanitarian organizations in particular, the way in which television programmes build avenues for donations — through narratives, advertisements, and social media — creates opportunities to reach audiences and obtain donations on multiple levels.

They use the emotional response engendered by the series to garner attention Prostitutes Kaarina donations for the Prostitutes Kaarina.

These donations are also relevant for the media company as a sign of success that can attract other funders, and therefore they form an important promise for the economic structure of production. The ways in which digital platforms and convergent media strategies are used to harness the sentiment of care and compassion among audiences appear as a model case of affective technologies of humanitarianism.

Prostitutes Kaarina DTT follows similar convergent logics of multiple platforms and adaptations, the Prostitutes Kaarina of action is quite different from AKK. Audiences can Prostitutes Kaarina a look at the most moving moments of the series, bloopers, or extras.

Although different non-governmental organizations NGOs and social agents have helped the group in the series, no connections are made with NGOs on the website. The case of the Vietnamese refugee family was introduced by a local refugee worker from the Red Cross; however, the Red Cross is not mentioned in the programme.

This may of course be at their own request; however, Prostitutes Kaarina the online material Prostitutes Kaarina only the Dudesons and their own productions. Besides a TV presence, the Dudesons now have their own jewellery and stamp collections that are advertised on their website.

Their success has also been recognized Prostitutes Kaarina a highly valued invitation by the President of Finland to an Independence Day galawhere they appeared in tailor-made national costumes of Ostrobothnia. In these two cases, audience participation operates in different ways. In the case of AKKaudience participation is geared to benefit Prostitutes Kaarina NGO, Plan Finland, through volunteer donations advertised through multiple platforms.

The actual financial profits from the audience participation are difficult to detect. Plan continues Prostitutes Kaarina with Arman and a new programme focusing on Aymara children in Bolivia has been created as a result of the Prostitutes Kaarina of AKK. For the Dudesons, audience engagement results in profits through DVDs and merchandise as well as in possibilities to realize new productions.

The value of audience participation for both shows is that of a promise of funding for future productions. Both cases Prostitutes Kaarina participation in the frame of voluntary work and entrepreneurialism.

As such, the programmes invite audiences to realize their citizenship in the structure of privatized humanitarianism and selective philanthropy Ouellette and Hay, The problems presented Prostitutes Kaarina the reality shows are solved through self-made expertise.

The help is offered for chosen and worthy individuals, and further aid is geared through private donations, advertised through the programmes. While such privatized humanitarianism and welfare may be a familiar phenomenon in the USA, in the Nordic context the role of the state has traditionally been strong in terms of providing and distributing help for the marginalized Christensen and Petersen, However, as the foundations of Prostitutes Kaarina welfare state have been Prostitutes Kaarina with increased privatization and out-sourcing during the past decades, these new forms of humanitarianism have also found more support and foothold as Prostitutes Kaarina for the state-structured development aid and welfare Julkunen, Private donations for aid organizations have increased at the same time as public funding for development has decreased Punainen Risti, ; Plan, Prostitutes Kaarina Ministry of Foreign Affairs, They address audiences as individuals who can grow together with the performers on their journey to help others in need.

By donating and consuming goods offered Prostitutes Kaarina these programmes audiences also support the branding of entrepreneurial solidarities. In this way, the visualization of care proposes particular forms of action connected with larger structural Prostitutes Kaarina in society. By focusing on men performing care work on popular television, this article wishes to point out how the masculinization of care in the context of humanitarianism operates as part of broader structural transformation in the humanitarian field and in cultural industries.

This is citizenry built with the intimacy and appropriated through the trope of the sentimental soldier-hero Koivunen,

Following the demotive turn Prostitutes Kaarina cultural production, the masculinization of care asserts a particular kind of authenticity in the post-deferential world: it offers expertise and emotionality with a sense of reality, efficiency, and common sense. In this way, care work becomes commodified and sold to reality TV audiences.

This kind of marketability of care is relevant for Prostitutes Kaarina organizations that suffer from criticisms of elitism and struggle with how to reach audiences.

In the digitalized media environment, the participatory dimension of reality TV can be used to gear the sentiment of help to encourage private donations, branding, and entrepreneurialization of philanthropic celebrity Chouliaraki, Prostitutes Kaarina should we then understand the social impact or meaning of these programmes?

Prostitutes Kaarina the fact that helping others in need has become a popular, valued asset and exemplary behaviour in public life is not meaningless. These performances touch and move thousands of people, who by watching the shows Prostitutes Kaarina evaluate their relationships to care and to other people. In these television shows, helping others appears accessible, fun, and even useful. The visualization of men performing care work may encourage and expand the gendered understanding of who can perform care work in general.

The programmes make the need of help visible and call people to action — to maximize their citizenship.

As such, these programmes construct Prostitutes Kaarina of how to perform care and fight injustice. The question that Prostitutes Kaarina here concerns not whether people should help or care about others but rather how they should do that: what are the conditions of action that these programmes propose.

Care work, in this televisualized context, happens through voluntary work, by helping individuals fast and efficiently. In line with post-humanitarianism, it offers individualized solutions and emotionally strong televisual moments.

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Such focus is both based on and strengthens the commercialization and individualization of humanitarianism. Here, the elements of affective capitalism come together: emotions are geared for showing solidarity and caring for others within an individualistic frame that appears as the one efficient and common sense way to act Prostitutes Kaarina the contemporary world of injustice. An affective response to media representations should not, however, be seen as a matter that can be Prostitutes Kaarina directed or predicted.

Affective imageries carry an excess that may Prostitutes Kaarina unexpected responses and social action. They may produce responses that also work beyond their original inspirations and sometimes beyond their limitations. However, reality television operates in the realm of symbolic power and the ways in which understandings of care and opportunities for actions are constructed, matter.

These television shows propose horizons for action and avenues for contemplating what is useful, relevant and possible in Prostitutes Kaarina work.

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